If I Should Wake
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If I Should Wake

A New Play in Two Parts

Commissioned for the 20th Anniversary of our Theatre Opening

Part 1: November 20, 2020 @ 7 PM PST

Part 2: November 27, 2020 @ 7 PM PST

Running time approx 45 minutes for each part

Free to watch on Twitch.tv/GreenwayCourtTheatre

WORLD PREMIERE

Caught in the rupture between past and future, an ensemble of characters search desperately for rebirth: in dreams, in hash tags, in childhood diaries, in sidewalks that lead to nowhere.  Greenway Court Theater began its existence in the year 2000 with the world premiere of Sonnets for an Old Century by José Rivera, a series of monologues set in the afterlife which, on the verge of the new millennium, asked us to look backwards and make our case about the lives we had led. For Greenway Court Theatre’s 20th anniversary, If I Should Wake fuses theater and film to continue that exploration and reframe it for the tectonic shifts of the present moment.

Can’t make the live stream? The production will be available on demand on Twitch.tv/GreenwayCourtTheatre according to the following schedule:

Part 1: Nov 20 – 27

Part 2: Nov 27 – Dec 3

Parts 1 & 2: Dec 4 – 10

The production is free to watch, but not free to make! Please consider supporting Greenway Arts Alliance through a monthly Greenway Headliner membership or a one-time donation. Your support will help keep our theatre alive during the pandemic and beyond!

Don’t forget to create your free Twitch account and Follow Us!

Written by:

Alex Alpharaoh
Boni B. Alvarez
Arianna Basco
Diana Burbano
Inda Craig-Galván
Yehuda Hyman
Grace McLeod
Larry Powell

Creative Team

Director: Reena Dutt
Dramaturg: Scott Horstein
Production Designer: Corwin Evans
Stage Managers: Jasmine Kalra and Aaron Saldaña

Cast

Diana Burbano
Jon Viktor Corpuz
Shanelle Darlene
Madeleine Humphries
Sammy June
Larry Powell
Trieu Tran
Carla Valentine
Jamal Wade

Explore our Virtual Program Below

Dear Friends,

We’re glad you’re here!  Welcome to Greenway’s premiere of If I Should Wake.

When thinking about a season of plays for Greenway Court Theatre’s 20th anniversary, inspiration was hard to come by.  Our shuttered theatre and the pressure of a never-ending high-stakes “to do” list were distractions, to say the least.  We ended up going down the same path that we have always followed:  turn to the artists.  Tonight we ask you to turn to the artists and explore the same question that the playwrights and characters of If I Should Wake are asking themselves:  How do you find rebirth in these fractured times?

The students of Fairfax High School, where Greenway is in residence, have been exploring this question as well.  Through the GreenwayREADS program, Fairfax students have been studying the script of If I Should Wake and writing their own inspired monologues.  Their deep questioning and brave imagination are true guiding lights.

We must bow our heads and thank all the artists who have shared their immense talents.  A special thanks to our amazing dramaturg, Scott Horstein, who has been keeping us on the path since day one.  Also, a special thanks to our committed funders, including our good friend David Kobrin who has been a long supporter of GreenwayREADS.

Take good care,

Whitney Weston
Pierson Blaetz
Co-Artistic Directors

THE WAITING ROOM
Written by Grace McLeod 

Billie……………………….Sammy June

Stuck for months in her childhood bedroom, an Instagram celebrity braves her teenage diary.

BODY QUAKES:  a monologue wake
Written by Arianna Basco

SJ………………………….Madeleine Humphries

Can a woman reclaim her body when her former lover returns?

THE RECLAMATION OF MY BLACK ASS IMAGINATION
Written by Larry Powell

Somebody (Voiceover)……Larry Powell
Somebody…………………Jamal Wade

Can someone actually steal your imagination?  Can you imagine it back?

FRANCIS
Written by Boni B. Alvarez

Francis……………………..Jon Viktor Corpuz

An 18-year old surfs the electronic sea only to find that it’s alive.

THEY SAY MY NAME
Written by Inda Craig-Galván

Jackie……………………….Carla Valentine

A woman clings desperately to a pole over an abyss – or should she let go?

CASSANDRA
Written by Alex Alpharaoh

Cassandra………………………….Shanelle Darlene

What sacrifice does it take for a daughter to love her father, and for her father to let her go?

QUICKSAND: A Bardo Monologue
Written by Diana Burbano

Woman………………………………..Diana Burbano

An aging punk chases salvation on the haunted streets of downtown LA.

THE LET GO
Written by Yehuda Hyman

He…………………….…………..Trieu Tran

As their bodies turn to vapor, two strangers attempt a new kind of dance.

Alex Alpharaoh is a multi-disciplined, Award-Winning Performance Artist from Los Angeles, CA. Prior to Covid-19, Alpharaoh was on national tour performing his autobiographical Solo Show titled WET: A DACAmented Journey, which earned him the LADCC 2018 Solo Performance of the Year award. Alpharaoh has been acting professionally for over a decade and has been a lyricist for over 25 years. He is currently in the process of writing his first memoir and is a proud teaching artist with Greenway Arts Alliance.

BONI B. ALVAREZ is a Los Angeles-based actor-playwright.  His plays include Emmylu, America Adjacent, Bloodletting, Fixed, Nicky, Dallas Non-Stop, Dusty de los Santos, Driven, Refuge for a Purple Heart, andRuby, Tragically Rotund.  His plays have been produced at Center Theatre Group – Kirk Douglas Theatre, Echo Theater Company, Coeurage Theatre Company, Skylight Theatre Company, Theatre Rhinoceros, and Playwrights’ Arena.  He is an alum of the CTG Writers’ Workshop, Echo Writer’s Lab, Humanitas Play LA, Moving Arts’ MADlab, the CBS Writers Mentoring Program and the Geffen Playhouse Writers’ Room.  He is currently in Skylight Theatre’s Skylab and a Resident Playwright of New Dramatists.

Arianna Basco: ARIANNA LADY BASCO is a single mom and multi-hyphenated artist from holding space and teaching to poetry and acting. She is the founder of Palms Up Academy, author of the novella Palms Up, creator of original play HEARTSTORMS, Writer/ Director/ Lead in her award-winning short film GLIMMER and awaits the release of her brother’s Dante Basco’s directorial film debut The Fabulous Filipino Brothers which she co-stars in and co-wrote. Her and her family have been recognized by the State of California and by the City of Los Angeles for being the ‘First Filipino Entertainment Family’. Arianna was highlighted in The Filipino Channel’s 25th year #beingfilipino campaign alongside her niece Ella Jay Basco. Has been spotted singing and strumming guitar for her community at the intersection.

Diana Burbano:  Diana Burbano, a Colombian immigrant, is an Equity actor, a playwright and a teaching artist at South Coast Repertory and Breath of Fire Latina Theatre Ensemble. Written work includes: Policarpa, Oregon Shakespeare Festival Brown Swan Lab 2017, Drama League Rough Draft series May 2017, Honorable Mention, Jane Chambers Award 2017, Parsnip Ship 2017 Fabulous Monsters, Latinx Play Festival, San Diego Rep 2017, Festival51 2016 winner, about women in Punk Rock,Picture me Rollin’ (featured at the 35th annual William Inge Festival and Inkfest at 2cents.), Silueta, (about the Cuban artist Ana Mendieta), with Tom and Chris Shelton, and the TYA Shakespeare mash-up, Caliban’s Island winner 2017 Headwaters New Play Festival at Creede Repertory. (Published by YouthPLAYS). She is currently writing material for Center Theatre Group’s Chisme y Queso series, for Rogue Artists Plummer Park project and for Kaiser Permanente’s Educational touring show. Diana is one of the original members of the writers circle for Latino Theatre Association/ Los Angeles. She is also a member of The Dramatists Guild and The Alliance of Los Angeles Playwrights

Inda Craig-Galván is a Chicagoan at heart who lives in Los Angeles, where it’s warm. Plays include BLACK SUPER HERO MAGIC MAMA (Geffen Playhouse) and I GO SOMEWHERE ELSE (Playwrights’ Arena). Her work has been developed at the Eugene O’Neill National Playwrights Conference, Ojai Playwrights Conference, OSF’s Black Swan Lab, and others. Recent honors include Kesselring Prize, Jeffry Melnick New Playwright Award, and Kilroys List. Current commissions: Old Globe (San Diego), Company One (Boston), and Primary Stages (New York). Inda’s TV credits: The Rookie, How to Get Away with Murder, and Happy Face. MFA in Dramatic Writing, University of Southern California.

Yehuda Hyman: Yehuda is a dancer/writer and the Artistic Director of Mystical Feet Company. He was born in Los Angeles to immigrant parents from Poland and Russia. He trained in ballet with Tatiana Riabouchinska and danced on Broadway with the original American Dance Machine company. Original plays include The Mad Dancers, Center of the Star, Swan Lake Bde Maka Ska, David in Shadow and Light (co-written with Daniel Hoffman), Max, Rapunzel and the Night, Tequila, Scenes from a Tango (co-written with John Dantona), and The Mar Vista. His work has been produced at McCarter Theatre, Mark Taper Forum, San Diego Repertory, Cornerstone Theater of Los Angeles, Theater J, Mixed Blood and Actor’s Theatre of Louisville. His honors include the Kennedy Center New American Plays Award, the NEA/TCG Playwright-in Residence Grant, Playwrights’ Center of Minneapolis Jerome Fellowship and LABA Fellow/14th St Y. He teaches Devised Theater at Manhattan School of Music. His essay, “Three Hasidic Dances” was published in Dance in America, A Reader’s Anthology (Editor: Mindy Aloff; Foreword by Robert Gottlieb), Library of America and his recent article about his dance activism in Germany, “Dancing on Smoke” will be published by Oxford Press in 2021. Yehuda lives in Brooklyn.

Grace McLeod is a queer playwright and screenwriter based in New York City. She is a current Virtual Mentee at The Playwrights Realm and a winner of the 2020 Ashland New Plays Festival. She was a 2017-2018 Trellis playwright-in-residence at Chicago’s Greenhouse Theater Center, where she developed her play HERLAND, which received a 2018-2019 National New Play Network Rolling World Premiere at MOXIE Theatre in San Diego, Redtwist Theatre in Chicago, and Greenway Court Theatre in Los Angeles. Grace’s plays have been presented, developed, and/or commissioned by Goodman Theatre, Actors Theatre of Louisville, First Floor Theater, The New Colony, Commission Theatre, The 24 Hour Plays, and Millikin University, among others. As a 2013-2014 Tribeca Film Fellow, she wrote and directed the short film UNDER THE TABLE, which premiered during the 2014 Tribeca Film Festival, and co-conceived and produced LOCAL/EXPRESS, an experimental short film that screened across Times Square as part of the Midnight Moment Series, the world’s largest, longest-running digital art exhibition. Grace is a graduate of the University of Chicago, where she was the recipient of the 2018 Olga and Paul Menn Foundation Prize for Playwriting.

Larry Powell is an actor, writer, director and producer born and raised in South Central LA. As an actor he’s originated and premiered roles in some of the most exciting new plays in America including The Christians by Lucas Hnath, The Legend of Georgia McBride by Matthew Lopez, Father Comes Home From The Wars by Suzan Lori Park, Brokeology by Nathan Louis Jackson, and While I Yet Live by Billy Porter (playing the lead role based on Billy Porter). He is a two-time Ovation Award nominee, three-time NAACP Theatre Award Nominee, San Francisco Bay Area Theatre Award Nominee, two-time LA Drama Critics Circle Award Winner, as well as an Audelco and Audie award nominee. Stars as Lawrence in the movie The Browsing Effect (Now Streaming). Larry is also a published playwright and professional screenwriter. Most recently writer/creator of TheGazeSeries.com  As a director he has worked with several contemporary playwrights on exciting new works directing fancy staged readings and workshops. As well as his own feature film project Mother’s Milk. Larry is an Adjunct Lecturer at the University of Southern California’s School of Dramatic Arts MFA Acting program. Larry is a graduate of Carnegie Mellon’s School of Drama and the Founder/Creative Director of The Freedom Workshop a holistic experience for diverse, intergenerational Black artists  to put each other on game through quality training, community, and opportunity.

Jon Viktor Corpuz is an ‘artist’ of questionable ‘skill’. Tour: Hamilton (John Laurens/Philip Hamilton). Broadway/NYC: The King & I (Prince Chulalongkorn – Lincoln Center Emerging Artist Award for Theater), Radio City Christmas Spectacular, A Midsummer Night’s Dream (dir. Julie Taymor), Interstate, #BARS (The Public Theater). TV/Film: “Manifest,” “High Maintenance,” “The Detour,” Sanzaru. Performances: The White House (Filipino American History Month Celebration), 2016 Democratic National Convention, The Tonys. Education: Clive Davis Institute of Recorded Music at NYU.
Shanelle Darlene is an artist del Valle de Coachella whose work looks to question society and create visibility in a world that continually erases lives and stories. She is a member of Breath of Fire Latina Theater Ensemble in OC and has participated in the Frida Kahlo Theater Festival, Chicanas, Cholas y Chisme’s (7th Yr) Festival, and the Short and Sweet Festival in Hollywood as a writer, producer, and performer. Shanelle has crafted works in musical theater, singing, art, dance and ensemble produced plays. She hopes to continue using art as a way of truth, community and empowerment.
Sammy June (she|they) is a queer, non-binary actor and illustrator who survives best with lots of nature, ice cream, and human connection. June first worked with Greenway Court Theatre in 2019 as understudy for Becca in Grace McLeod’s HERLAND. She’s stoked to be back as Billie in “The Waiting Room”—feeling super lucky to get to perform another hilarious, relatable work of McLeod’s. June thanks the whole Greenway team, especially director, Reena Dutt, for her in-depth character work.

Trieu Tran:  Let It Go: Previous roles: Equus (LADCC Nomination) with George Takei @EWP, the title role in Oedipus The King (Portland), The Legacy Codes (Dean Goodman Award) with TheatreWorks, The Chinese Lady (Artists At Play/Greenway Court Theatre). Other favorites include: Rashomon, As You Like It, Merchant of Venice, Henry IV Part One (Hotspur),  Richard III.  Film: Tropic Thunder, Trade of Innocents, Desolate, How High, Hancock, Desperation, Last Call. TV: Currently on Hulu’s Monsterland.  Netflix’s Altered Carbon.  Other TV include: The NewsroomIntruders, Men At Work, Quickdraw (Hulu), Malcolm in the Middle.  Uncle Ho To Uncle Sam is his solo play written with co-author Robert Egan. Uncle Ho to Uncle Sam was first developed at the Ojai Playwrights Conference in 2011. It had its world premiere for Seattle ACT in Fall 2012 (Seattle Times Footlight Award/Gypsy Rose Nomination). Uncle Ho to Uncle Sam also had a run at The Kirk Douglas Theatre, Shakespeare Orange County, PlayMakers Rep.

Carla Valentine- A native New Yorker of Honduran decent, is happy to make her debut with Greenway Court Theatre. Carla was recently directed by Amy Poehler in the upcoming film Moxie. Other credits include: The Politician opposite Jessica Lange. Lady Bird opposite Saoirse Ronan and S.W.A.T.  For more info visit her website at carlavalentine.online.

Jamal Wade is a dancer, actor, and director from Baton Rouge, Louisiana. He began his formal dance training on scholarship with the Baton Rouge Ballet Theatre while attending Baton Rouge High. During that time, he also performed in local productions with New Venture Theatre and Debbie Allen. He moved to Los Angeles in 2012 to attend the American Musical and Dramatic Academy. There he trained under choreographers Genevieve Carson, Doriana Sanchez, Donyelle Jones, Fresh Redding, Miguel Antonio, and many more of the industry’s finest before graduating with his BFA in Dance Theatre. He has worked with artists like Ingrid Michaelson, Swae Lee, Snoop Dog, and P!nk. Jamal has also appeared in ads for Universal Studios, Champs x Adidas, and MTV x Burger King. His choreography/movement direction credits include Sk8, Ambre, Josh Dean, and Ari Lennox. He continues to work and train in Los Angeles, and doing youth outreach in performing arts.

Reena Dutt (Director): Reena Dutt is a city girl with a country soul who believes in creating with a conscience, on and off stage. Highlights: “This is Not a True Story” (Artists at Play TBA 2021), “Antigone, Presented by the Girls of St. Catherine’s” (LA Times Critic’s Pic, Sacred Fools), “Defenders” (Pandelia’s Yellow Canary), “Rise & Shine: I thought I was white” (Bad Hindu Productions), “Katy and Jennifer” (Fierce Backbone). Assistant Directing: “Hannah and the Dread Gazebo” (Fountain Theatre, dir. Jennifer Chang), “The Untranslatable Secrets of Nikki Corona” (The Geffen Playhouse, dir. Jo Bonney). Dutt served on the board at Theatre of NOTE and was the first South Asian Community Liaison for the Ford Amphitheatre. 2020 Drama League NY Directing Fellowship Semifinalist, 2018 and 2017 Producers Encore Award. Dutt is also a producer having screened her films at Sundance, LAFF, Outfest, Frameline, Cucalorous, NBCUniversal, BET, PBS/Latino and HBO. Website: www.ReenaDutt.com

Scott Horstein (Dramaturg): Scott is honored to serve as dramaturg for this show at Greenway, where he previously dramaturged Herland, Good Bobby, and  Center of the Star (with Cornerstone Theater Company). Freelance dramaturgy credits include Denver Center, Oregon Shakespeare Festival, Berkeley Rep, South Coast Rep, San Diego Rep, and the Old Globe, where he dramaturged for Arthur Miller on his penultimate play Resurrection Blues. Other freelance credits include Native Voices at the Autry, Alter Theater, Watts Village Theater Company, Bay Area Playwrights Festival, National New Play Network, and the Evidence Room. New York credits include Port Out, Starboard Home with foolsFURY at La Mama, and Greenway’s production of Good Bobby at 59E59 (Off-Broadway).

Scott was formerly staff dramaturg for Cornerstone Theater Company and for the Black Dahlia Theater. He has dramaturged or produced productions for leading playwrights including Nathan Alan Davis, Larissa FastHorse, Sheila Callaghan, Sarah Ruhl, Octavio Solis, David Edgar, Austin Pendleton, and James Still, and for leading directors, including Nataki Garrett, Bill Rauch, Mark Lamos, and Kyle Donnelly. Directing credits include Native Voices and East West Players.

Scott is Professor of Theatre Arts at Sonoma State University, where he teaches dramaturgy, playwriting, dramatic literature, and theater history.  As Sonoma State’s Arts Dramaturg he created the campus Arts Integration Program, which brings roughly 2,000 students to campus arts events each year, and has been praised by international and award-winning touring performers. He is a proud and active member of Literary Managers and Dramaturgs of the Americas (LMDA) and recipient of LMDA’s Elliott Hayes Award for Outstanding Achievement in Dramaturgy. He holds an MFA in Dramaturgy from UCSD.

Corwin Evans (Production Designer): Corwin is a freelance sound and video designer for theatre. After moving to LA in 2006 to pursue an MFA in Sound Design from UCLA, he’s worked all over town with a variety of companies. His work has popped up at various places, including the Los Angeles Theatre Center, Kirk Douglas Theatre, The Kennedy Center, the Celebration Theatre, the Bootleg, RogueMachine and work for Diavolo Dance Theatre, the Los Angeles Theatre Ensemble, Theatre Unleashed, needTheater. He loves new and daring experimental work.

Thank You

Special thanks to Mark Armstrong of 24 Hour Plays and Brian Quirt of Nightswimming.  

Current Funders

California Arts Council
City of West Hollywood
Dwight Stuart Youth Fund
Earl B. Gilmore Foundation
Los Angeles County Arts Commission
Los Angeles Department of Cultural Affairs
National Endowment for the Arts
The Hollywood Chamber of Commerce Community Foundation
California Community Foundation
David Lee Foundation
The David Geffen Foundation
The Flourish Foundation

Friends of Greenway

David Kobrin
James Starr
Lisa Blake Richards and Stephen Mendillo
Mike Himelstein
John Ebey
Steve and Laura Mayer
Wilson Fitzgerald

Community Partners

Fairfax High
LAUSD
Arts:Earth Partnership
Melrose Bid
Da Poetry Lounge

Greenway Arts Alliance is a community-based partnership of professional artists that has been working with the community of Los Angeles and Fairfax High School for over 20 years.

Beginning in the 2011-12 school year, Greenway expanded its arts education programming for Fairfax students through the Greenway Institute for the Arts (GIA). Through this program, Greenway places artists in Fairfax High School classrooms for both in-school and afterschool project-based programming.  GIA constitutes one of three arms of Greenway Arts Alliance, the other two being the Greenway Court Theatre (GCT) and the Melrose Trading Post (MTP)

In 2016, GIA together with GCT created GreenwayREADS, a page-to-stage program to promote literacy and engagement with the arts. Our production of George Orwell’s 1984 was the first time GCT created a professional production directly related to the curriculum at Fairfax High School. Over 300 students, teachers and administrators read the novel in conjunction with classroom instruction and Greenway in-school programming at no cost. Following through with the great work we began with our production of 1984, GreenwayREADS continued with The House of Mango Street, The Color Purple and – most recently – The Curious Incident of the Dog in the Night-Time.

This multidisciplinary approach to programming focuses on bringing the thematic content of the novel to life through arts education. Through our work, we offer new perspectives from which to view culture and facilitate meaningful discourse about the human experience.

Given the Covid-19 pandemic which closed the doors of our physical space for the indefinite future, and moved the high school classroom into the virtual space, we focused our GreenwayREADS program this year on creation and self-expression by commissioning eight playwrights to explore a singular prompt:

In the rupture between past and future, caught between the intensity of outward survival and the interior space of myth, the unconscious, and dreams, how will you find rebirth?

The result of this musing is If I Should Wake. Over the past month, the students have been reading and exploring the script while writing their own monologues based on the prompt, one of which will later be included in the final published draft of the play.